Bicton House
INTERIOR DESIGN Tailorhouse • BUILDER Dlux Builders • IMAGERY Jody D’Arcy • STORY Elizabeth Clarke
Sunlight streams into this bright abode with port and river views just behind Bicton reserve. Robust in its simplicity and solidly grounded, natural materiality and a clean light palette make this freshly renovated neutral family home anything but bland.
Tasked with transforming an old house into a ‘purposeful yet elegant’ haven, Nikki Burwash and Sam Royle from Tailorhouse Interiors along with Nathan Watson from Dlux Builders reconfigured it for contemporary living. The result is a home that is as effortlessly chic as it is cosy and welcoming.
“We were brought into space plan and make the interiors more functional for the family,” Sam says. “We came up with a concept, cabinetry design and selections, and during the construction stage, looked at furnishings, artwork and accessories for a timeless and modern vibe.”
The project started in July last year during lockdown, bringing with it uncertainty and delays. “The situation was an unknown but we moved forward quickly so the impact to the family was minimal,” Nathan tells Havenist. “A timber frame made the renovation easier as we could change wall positions and room sizes to suit the new layout. The family were living in the home as we were building it. Luckily we had a great relationship with them and it was a good experience for everyone.”
Creating seamless transitions between old and new, the existing timber floors, high ceilings, and timber window frames were restored and the home’s aesthetic was informed by the owner's art and furnishings. “She has great taste which is modern yet classic,” Sam explains. “We selected a grey palette with timeless colours and finishes to further elevate it.”
The home is entered on the first level that captures the kitchen, lounge, dining, home office and powder room. Downstairs are two bedrooms, laundry, bathroom, and living space, and right up the top is the master suite.
Restricting the colour and material palette provides cohesion and enhances views. While simple and minimal, with a lot of white and greige tones, the home is a lesson in how texture can add just as much significance as colour. On entering, there is a calm and considered vignette comprising a low curved sofa, artwork by Christian Fletcher and oversized vessels holding a flourish of pampas. “We played with tones and textures and heights to create a beautiful arrangement,” explains Nikki. “Introducing different shape and size forms, allowed us to experiment. Including various heights is essential when creating an arrangement so the pampas and artwork were important. Both worked beautifully because of the high ceiling.”
In the kitchen, a marble CDK splashback combines with Caesarstone benchtops and a timber topped island bench - a piece the owner acquired some years ago. “The bench dictated the kitchen’s overall style,” she says. “Its tone is reflected in the natural veneer shelving and gives the light space real warmth.” A seamless appearance is achieved through integrating appliances within white cabinetry and the walk-in pantry behind a sliding barn door.
The owner’s dining table sits in front of the kitchen beneath light pendants from Mobilia, selected for their ‘texture and warmth’. Colour is minimal, and introduced through an image of Rottnest Island by Jody D’Arcy. Large glass doors at the end of the space open out to view the water.
Although the impression is of stripped-back modernity, each space draws deep from complex textures and considered details. In the living room, an elegant marble-framed fireplace pulls focus, whilst twin soft sinkable sofas cocoon the space. A vast textured rug is layered underfoot, glass and marble-topped coffee tables imbue luxury, and rattan and timber touches add a natural touch you’d expect to find so close to the water.
The master bedroom upstairs, says Nikki, was a ‘feat’. “I’ve never seen a room that big so we had to fill it in a way that made sense,” she says. “Wall-to-wall and floor-to-ceiling doors and windows draw in the view but made furniture and art placement difficult. The bed faces the view and sheer window dressings soften the timber floors. We filled a corner with an oversized occasional chair, footstool and table. It allows her to snuggle up and read a book. Oversized furniture allows for that.”
The bed is ‘thrown together’ for a relaxed style. “It wasn’t entirely intentional,” laughs Sam. “The owner’s very feathery doona cover didn’t lend itself to a neatly made bed, so we made it look very loose and lived in - not too tucked in. Linen sheets were ideal for achieving that feel.”
In the ensuite, walls were altered for a functional layout and VJs were added for softness and detail. The large walk-in-robe cabinetry mirrors their finish in vinyl wrap, and leather pull handles provide an artisanal edge. A central island houses multiple drawers for storage, and a drop-down section topped in marble is used to store treasures.
“The renovation has changed the whole feel of the home,” says Nathan. “It’s a great block and the home now feels very welcoming and a light and bright place to live. It was a nice home to start with but now it’s next level.”